翻訳と辞書
Words near each other
・ Willemijn Verloop
・ Willemina Ogterop
・ Willemite
・ Willem Ofori-Appiah
・ Willem Ogier
・ Willem Oltmans
・ Willem Ooms
・ Willem Outgertsz Akersloot
・ Willem Ouweneel
・ Willem P.C. Stemmer
・ Willem Panneels
・ Willem Peters
・ Willem Pieter Hoevenaar
・ Willem Pieter Landzaat
・ Willem Pieterszoon Buytewech
Willem Pijper
・ Willem Piso
・ Willem Pleyte
・ Willem Potma
・ Willem Pretorius Game Reserve
・ Willem Ratte
・ Willem Reuter
・ Willem Ripperda
・ Willem River
・ Willem Roelofs
・ Willem Roels
・ Willem Roggeman
・ Willem Romeyn
・ Willem Rooseboom
・ Willem Ruis


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Willem Pijper : ウィキペディア英語版
Willem Pijper

Willem (Frederik Willem Johannes) Pijper ((:ˈʋɪləm ˈpɛipər)); Zeist, 8 September 1894 – Utrecht, 18 March 1947) was a Dutch composer, music critic and music teacher. Pijper is considered to be among the most important Dutch composers of the first half of the 20th century.〔''The New Grove Dictionary of Music & Musicians'', 2010, Oxford University Press, ed. Sadie and Tyrrell.〕
==Life==
Pijper was born at Zeist, near Utrecht, on 8 September 1894 of strict Calvinist working-class parents. His father, who sometimes played psalm accompaniments on the harmonium, taught him the names of the notes of the treble clef when he was five. Willem subsequently discovered the use of sharps and flats and began composing simple melodies. His fascination with symmetrical musical structures was evident even at this early age. At ten he began formal piano lessons and made rapid progress.
Poor health as a child meant that he was educated at home until age 13, but in 1912, after three years study at the gymnasium (high school), Pijper entered the Utrecht Academy of Music, where he was taught composition by Johan Wagenaar, passing examinations in theoretical subjects in 1915. Apart from his brief study with Wagenaar he was entirely self-taught as a composer.
Pijper occasionally gave piano recitals, but his activity as a critic was of greater importance. At the end of the First World War, he became a critic for the ''Utrechtsch Dagblad'', and in that capacity was at least partly responsible for the departure of Jan van Gilse, then chief conductor of the Utrechts Stedelijk Orkest. Pijpers constant vitriolic (and often ''ad hominem'') attacks upon Van Gilse forced the latter to demand the orchestra board to refuse Pijper at concerts; after the board had stalled the issue for some time, Van Gilse resigned in 1921. Pijper has since been criticised for his role in the affair, also because his combined functions of critic and advisor for the Tivoli concert hall at least suggested a conflict of interest ((Article about the Van Gilse/Pijper conflict in De Volkskrant (in Dutch) )).
In 1926, with Paul F. Sanders, he established the periodical ''De Muziek'', to which he contributed many essays. Collections of his essays were published by Querido under the title ''De Quintencirckel'' and ''De Stemvork''.
Pijper spent much of his time during the war years working on a new opera, ''Merlijn'', based on the Arthurian legend. Although he worked on the project for over six years, the work was never completed. In late 1946, he was diagnosed with cancer. During the closing weeks of his life he rewrote the orchestration to his ''Concerto for Violoncello and Orchestra''. Pijper died on 18 March 1947.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Willem Pijper」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.